The person has each figure. Manipulating to the figure matched to kimono by using the undergarment and small articles of manipulating becomes important for the kimono of straight line [sabachi] unlike the dress three-dimensionally tailored according to the figure. The one to do an important role for that is an undergarment for the kimono. Skin..directly..touch..undergarment..skin..additionally..skirt..division..main..undergarment..following..peel..turn..skirt..disregard..other..small articles..waistband..tighten..belt..pillow..ribbon.
1.Turn of ..peel.. [daju]
Let’s excel in the permeability and the heat-retaining property because it is the one to touch the skin directly, and choose the one that washes easily and the strong one. The cloth is an ideal. expose and do not get into troubleIf it is winter clothing, the made one is excellent in the heat-retaining property. double gauze it
･The height ･･･ It is roughly a size for each hipbone and about 50?55 centimeter is standard. It is easy to move easily from the skirt in the boiling line in the one that there is a slit in 8~10 centimeters, and to dress.
･The width of the collar ･･･ It makes to a minute collar of 2.5?3 centimeter, and it applies it to the skirt.
･The sleeve ･･･ It makes it to half width [dukainishi] and the short sleeve.
2.[Susoyoke]
The skirt is called, disregarding is “Waist rolling”. There is a practicable advantage of protecting dirt and the pain in the skirt. [Matasusosabakimo] improves.
･Upper [doukoshi] ･･･ Exposing also applies the noodle. In addition, a minute string is applied to both ends, and it tightens firmly.
･The trunk circumference ･･･ It makes it to the trunk lamplight and the circumference half. Five centimeters in the percentage width make to the former setting up collar, make to three fold, and take four pleats on.
3.Other small articles (waistband, [date] tightening, and belt pillow and ribbon, etc.)

Kimono wants to be put out the silhouette that the skirt becoming narrower neatly done putting out seeming the woman it who did in a relaxed manner is beautiful and to dress.
Person’s beauty that dresses by emphatically dressing can constricted of [kyu] and the waist put away and the merit of the dress are drawn out for Western clothes.
On the other hand, kimono is not three-dimensional cutting unlike the dress. Therefore, it makes a fit of the kimono of parallel [sabachi] to the body very soon, and the point whether dress so as not to lose shape.
In one of the important keys that prevent kimono from losing shape, there is “Manipulate” of the body. It straightens it losing the ruggedness that person’s body originally has, and suitable for the feature of straight line [sabachi] of kimono in a cylindrical figure.
The manipulated part is four basically places for a standard figure: 1. They are the collar origin and 2 the pit of the stomach and 3 waist and 4 hips (hollow on the hip). In a word, thinking that it can be borne to become hollow might be good.
1.The collar ･･･ The hollow of the collar origin is buried, and the collar match is stabilized by pressing the bust. The collar origin is shown to gentle.
2.The pit of the stomach ･･･ The hollow of the pit of the stomach is maximum cause of making the wrinkle in kimono when dressing. The wrinkle is made in the belt.
3.The waist ･･･ The skirt extends if what it is possible to do is dressed with the hollow, and [koshihimo] is tightened. Because the belt becomes unstable, too it makes it to “[N] trunk”.
4.The hip (hollow on the hip) ･･･ The shape of [otaiko] becomes beautiful when the hollow of the hip is manipulated, and the back figure looks better.

When thin [gatano] [nin] does dressing that sets off the straight line beauty neatly done, an intellectual impression becomes strong further. The figure to be able to be constricted of the waist sets off the beauty of Western clothes for Western clothes. On the other hand, an opposite, and straight line silhouette is valued for kimono.
Point manipulating of dressing tall slightly-made, person
It is manipulated to straighten the figure for thin one to cover the degree of fleshiness Japanese pampas grass sheath recession put from the shoulder on the chest and thin of the waist. It is made on the chest to pass, the one that three towels were folded is appropriated from waist [butonwoshi] and the shoulder to the chest diagonally, and the waist is intersected under the chest. Or, it might be also good to make roundness affixed to the body with skin [juban] with the thickness.
Collar and dress
Is the collar matches four centimeters from the hollow of the neck without pulling out the dress for one with an especially high height in slightly-made?Narrowing matched below five centimeters. You may make it to the type. About 1.5 centimeters are put out to the half Erimo narrowing.
Belt
The belt mountain is made low. It becomes a long, chic in case of swell a straight line type or the lower side with [menootaiko] dressing.
Skirt
The skirt excellence makes it not too long for the height’s becomeing thin and there. Moreover, you will not raise your tiptoe too much.
Point collar of dressing one where it becomes thin and height is low
The width of the collar is usually made about 1.5 centimeters narrower from the size for one where it is slightly-made and the height is low.
Shade
It becomes thin and the ground color of especially soft neutral tints is suited well for short one. The one and [noaru] floral print, etc. round small as for the handle might be good.
Additionally, the sleeve excellence is enlarged for one where it becomes thin and the height is low and roundness is enlarged to the rather short.

Beauty looks better more further by person’s figure puts on, kimono [erabi] matched to the collective impression, and dressing kimono. Dressing matched to the figure dividing dividing in two to a little becomeing thin of the division roughly overweight and coming, overweight, coming, and becomeing thin and coming into taller lower one respectively is done.
It grows fat, and tall one is a sense of existence, and gives a gay impression. Big kimono etc. will be able to be dressed well. Because the line of a tightfisted body is especially emphasized when tightening for the particular figure when dressing, [hittari] and room are given. It is womanly and becomes a tightened beautiful silhouette when making it to the skirt becoming narrower. Crepe, the figured satin, and the damask crepe, etc. might be good. The tone is made thick eyes, and a curve handle lives.
･Collar and dress
It makes to the Hiroshi collar tailoring, and the width of the collar is made known. The dress ..about ten centimeter.. is pulled out. When neck [guriwo] emphasizes [nashigiminishi] and the horizontal line, the balance with height can be taken. The collar match does from the former recession from 2 to 3 centimeters below, and takes ? type greatly.
･Omission
It makes it to the slash of the boat bottom type of eight centimeters in the left and six centimeters in the right.
･Width of belt
When the width of the belt tightens the one of making known at a low position a little for the height’s there, it can be balanced. Are 18 centimeters in case of double-layered obi and bag Nagoya-obi?It expands it to 20 centimeters.
･Skirt
The percentage tiptoe is dressed to a little giving. The skirt excellence is made by making long, and the hide of the heel.

When kimono is beautifully dressed, the finish of dressing is one’s feet. In kimono, kimono is sandals and clogs.
Sandals
･There is a method of making [iroerabi] of sandals either and [tomo] color of the method, the sash band, and the sash bustle matched to the ground color of kimono and the belt. Making to the bag and the set and arranging it might be also good.
･Stand..height..stop..sleeve..woman’s semiformal kimono..town..wear..move..suitable.
It is divided roughly into the town wearing for formal dress.
･It is Saga brocade, it is Nishikiori, and the tapestry in the cloth for formal dress. There is something that enamel and the pearl are processed in leather. The stand and sandal straps are said that the one that becomes complete is formal. The color is made a pastel vision.
･[Ori] and it ..dye leather.. meshes the town wearing ..doing.. ..falling down… The one using gold and silver might be unsuitable as the town wearing.
･The embossing etc. of one of the enamel processing of the color that harmonizes with the kimono, battik Canadian [kou] or small [mon;e] are suitable for going out wear had etc. small.
･In dressing such as Oshima and pongees that want to put out hobby kimono or individuality, if reptiles’ etc. are assorted well, it becomes chic feeling.
[Geta]
･As for clogs, it came to be limited to the day of rain and the yukata of summer. Clogs, high clogs (higher weather [getayorimo] the one), and [arimasu] ..[azuma] [geta] of matting and [pokkurinado] for children.. from day of [usuha] on day of general horse clogs and rain.
･Sandal straps have the one made of cloths such as velvets and [nishikichi] and the one made of the vinyl. Sandal straps of the vinyl are suitable for daily of rain.
･Black paint might be good because it shows dirt from the foil by the bare foot for the yukata.

The shrine visiting embraces the child by child’s mother or [obaa] [you] to pray for child’s health and happiness, wears the congratulation wear, and visits the patron saint.
Child’s congratulation wear
For man’s child ･･･ It is said, “Occupying pattern”, and uses five dye crest of seeming to have passed it from the chest to the back and the sleeve sideways.
For woman’s child ･･･ Patterned one of the figured haori pattern etc. is used.
If it is man’s child availably ..the congratulation on the Seven-Five-Three Festival (Girl it is common and boy’s “Celebration of the kitchen range wear” and seven years old girl’s “It is ..the belt congratulation.. ..three-years old.. ..”It is ..the hair.. ..putting.. ..[no] congratulation..” and five-years old… ” with the boy).., you may use a piling of two pieces or a double white arrow about double Kurobane. If it is woman’s child moreover, it is assumed to be good [chirimen;ya] and to use ..one.. excess of the figured haori pattern.
It dresses with mother of the shrine visiting and the kimono of [obaa] [you].
The leading part of the shrine visiting is a child to the end. The shrine visiting is assumed that it is regulations that child’s mother and the aunt Asama (mother-in-law) go out. It wraps in seeing that comes the child, and one solid color had kimono is assumed to be acceptable from a congratulation element strong for the shrine visiting that wears the baby cape as for mother person’s dressing. The haori coat with the crest of the black and the color is acceptable for a small crest.
Because the congratulation on the Seven-Five-Three Festival is the one that it asks the god for the child’s healthy growth, the color solid color or applying lowering extent might be suitable for mother’s kimono.
Child’s mother and when harmony is taken, the kimono of [obaa] [you] is pleasant to the relative after the shrine visiting etc. when called on to pay respects. It may be talked beforehand.

Kimono is assumed that dressing to the silhouette to which the skirt becoming narrower is slight is the most beautiful. The beauty of dressing and dressing kimono is grasped, and it is in the straight line that expands straight put from the boiling line on the skirt an important key.
Knack of dressing to beautiful skirt
The skirt is dressed so that the tiptoe may go up.
･About 15 centimeters are given from the skirt, and the percentage improves the percentage tiptoe by about five centimeters so that it is upper right and straightens the line in front of the under.
･Let’s tighten [shaki] and the waistband so that the wrinkle should not go out. It is a knack to tighten the waistband firmly to keep and to do a beautiful dressing appearance that the boiling line becomes narrower.
Dressing of skirt according to figure
･As for a little overweight a little, dressing a little long fits the figure.
･The tiptoe in the percentage skirt line is not so raised for slightly-made so that the line of the body like the bone is not emphasized. It becomes it if it raises it too much ..going out of the wrinkle easily…
Dressing of skirt by kimono and TPO
- Stop sleeve, woman’s semiformal kimono, and small crest
It makes it to dressing that puts out settling down and profoundness for the stop sleeve and the woman’s semiformal kimono.
The skirt excellence is made longer than the heel. It might make extent in which sandal straps of sandals are seen ahead, and the extent that hangs to the heel of [zouchi] be suitable back.
Excellence is made long for a small crest. It might be good to just make to excellence like the heel, and to make the tiptoe raising health.
- Town wear and everyday wear
It makes it to the skirt excellence to the under of the ankle of the foot for the pongee and wool. The tiptoe doesn’t raise it so much. It becomes difficult for kimono to coil around the body tightly, and the skirt mackerel daily life and to move by worsening.

Dressing that adds settling down who seems to be Mrs. and the madam who furthermore increases the age to some degree are favored even in a method and the same wahine of a fresh dressing that seems to be a young senhorita, and in dressing kimono, content is softly, and can favor beauty each person that puts on kimono by how to dress dressing etc. that make the best use of the beauty of a dignified woman who was accustomed to put on kimono where it puts and [sai] is summoned a graceful dressing.
Kimono can do dressing that reflects individuality and the favorite in putting on besides the age.
For instance, a chic dressing can be done by pulling out the dress (getting [mon]) considerably boldly. Moreover, when room is puffily given, and a half collar is excluded a lot, the breast goes out to make arrangements for the collar softly, and becomes feeling that was accustomed to be put on. Oppositely, the dress is not pulled out too much, and the collar match is narrowed. It becomes a chic, fashionable dressing when making to the character type, and putting it out to the half Erimo narrowing.
Individuality where it puts on kimono goes out to how to connect it and the position of the belt. It becomes a chic way to dress if the position of the belt is made low, and it does up an obi diagonally and it raises it to making the width of the belt known. [Otaiko] is a Ginza knot, [tsuno] putting out [daikoha] that gives the swelling downward low, and an amorous dressing that was accustomed to be put on really. Only inclining just a little ..the shape putting and the sash band.. usually and ..[otaikode].. a little diagonally becomes a considerably chic dressing.
However, note becoming as turned over when it is assumed that times pass too much.
Oppositely, [otaiko] becomes a chic, elegant dressing if it connects it in the straight line so as not to become a portrait greatly.

Only the woman’s individuality and beauty come out for the woman who puts and summoned [sai] to some degree. It gets used with fit so that “Taste” corresponding to it may come out when the age of dressing kimono is similarly increased, and kimono may draw close to the person.
Finishing it up in a calm dressing might be a knack of making the best use of dignity and the grace of the age in the kimono dressing more than the middle age.
It is also important to become impolite at the same time as finishing it up in feeling that was accustomed to put on kimono, and to make it not become dressing that arrival collapses.
Making to an elegant in a relaxed manner dressing might be good for the whole.
- Dress..get..dress..pull out.It sets it to Erimo in a relaxed manner.
In general, it is basic for the stylish garment not to pull out too much, not to pack the dress too much, and to make it to natural feeling according to the curve of the neck. The dress makes the collar known in general for the woman’s semiformal kimono, and can add colorfulness by pulling out with a jerk and adding and subtracting it. It seems to be a formal dressing and large-hearted and profoundness can be emphasized for [**sode] etc. by a little pulling out usually and adding and subtracting it.
- The belt ･･･ It might be good for the belt to narrow and to connect the width of the [meni] belt low in case of the senior citizen.
- The sash bustle ･･･ The sash bustle is almost concealed. Sash band..position..tighten..age..corresponding to..settle down..grace..put out.
- The skirt ･･･ It does under the ankle. It becomes a chic dressing when the more it hides the heel of the sweeping one, the more making it to the view.

Even the same wahine seems to come out in beauty as the woman a slight difference in the mistake and Mrs.. Premarital..senhorita..beautiful..young..because of..pop..fresh..young..mistake..beautiful..youthful..miss..provide..settle down..rich..womanly..say.
Finishing it up in dressing to look for a graceful settling down who seems to be the madam though youthful of the kimono dressing is kept for young Mrs. becomes the knack of a beautiful dressing. I want to make it to dressing to look for full who seems to be the madam and faint amorousness elegantly refreshingly.
Point of dressing young Mrs.
･The dress (getting [mon]) ･･･ The dress doesn’t pull it out so much. Six centimeters?It makes to eight centimeters, and it pulls it out according to the figure.
So as not to open it too much, the meeting of the previous state is tight-fitting. It becomes dressing to make the match of the chest feel amorousness to which mind [mochiyuttari], [suruto], and the age ripen, and you might make the best use of fresh grace for young Mrs..
･The belt ･･･ It doesn’t pass so much on. It is a difference with the senhorita with a young here.
It makes it in puffy feeling applying roundness ..[otaikoha].. up and down. Become a chic dressing if you tighten diagonally too much, and note becoming disagreeable feeling when times pass for a young madam. When the figure is slender, bringing it together in the rectilinear system becomes a refreshing dressing.
･The sash bustle ･･･ Let’s feel and finish it up often feeling refreshed. It excludes it ..cross type.. straight.