Point when it puts on kimono
The point that beautifully dresses kimono is in dressing. The important for that one is an undergarment.
From the under to “Skin [juban]“, “The skirt disregards it”, and “Growth [yu;ban]” in order it. Three “Waistband” is necessary and “[Datejime]“, “Board”, “Belt pillow”, “Belt [jime] *”, “Sash bustle *”, and” are necessary for it. After these are all arranged at hand, it begins dressing.
*”Sash bustle” and “Sash band. ” ･･･ To stop tightly both, to put on the belt to the body, to keep the shape of the connected belt to be beautiful, and to prevent losing shape, the sash bustle and the sash band play an important role. And, it becomes a point that demonstrates a full effect of dressing kimono by the combination of kimono and the belt. There is “Case” (formal dress and the abbreviation formal dress) in kimono. Harmonizing with the case of kimono for the sash band and the sash bustle is important.
Point of belt knot
The belt is tall, can be low, and be beautifully connected by adding and subtracting it to a little overweight or a little becomeing thin by the position’s in which the belt is connected making the position of “Golden proportion” of 5 and 12 and 13:8:22 3:a standard for the height according to the figure.
The tall individual might widen the width of the belt, and it be good a little ..sash bustle.. a lot to make it see. On the other hand, the person of short stature makes the width of the belt narrow. And, when [otaiko] is connected with improving a little, it looks beautiful. Moreover, to lower the position of [otaiko], a fat person connects it. And, it is possible to show it refreshingly by thinning the sash bustle.