Point when it puts on kimono
The point that beautifully dresses kimono is in dressing. The important for that one is an undergarment.
From the under to “Skin [juban]“, “The skirt disregards it”, and “Growth [yu;ban]” in order it. Three “Waistband” is necessary and “[Datejime]“, “Board”, “Belt pillow”, “Belt [jime] *”, “Sash bustle *”, and” are necessary for it. After these are all arranged at hand, it begins dressing.
*”Sash bustle” and “Sash band. ” ･･･ To stop tightly both, to put on the belt to the body, to keep the shape of the connected belt to be beautiful, and to prevent losing shape, the sash bustle and the sash band play an important role. And, it becomes a point that demonstrates a full effect of dressing kimono by the combination of kimono and the belt. There is “Case” (formal dress and the abbreviation formal dress) in kimono. Harmonizing with the case of kimono for the sash band and the sash bustle is important.
Point of belt knot
The belt is tall, can be low, and be beautifully connected by adding and subtracting it to a little overweight or a little becomeing thin by the position’s in which the belt is connected making the position of “Golden proportion” of 5 and 12 and 13:8:22 3:a standard for the height according to the figure.
The tall individual might widen the width of the belt, and it be good a little ..sash bustle.. a lot to make it see. On the other hand, the person of short stature makes the width of the belt narrow. And, when [otaiko] is connected with improving a little, it looks beautiful. Moreover, to lower the position of [otaiko], a fat person connects it. And, it is possible to show it refreshingly by thinning the sash bustle.

Child’s kimono changes with three body and body and four one body according to growth.
- ..one.. body ･･･ It is possible to put it on from the baby of the birth setting up up to 2?3 years old. This name exists because it cuts off the back by one width. When going out of the fact that there is no seam behind, [semamo] [riwotsukemasu].
- Three body ･･･ The name “Three body” originates in a thing three times the body excellence necessary. Woman’s child makes in the Genroku era sleeve or the long sleeve for the child of 2?3 years old and if it is man’s child, it makes it to the boat bottom sleeve or the tight sleeve.
- Four body ･･･ 4 and five years old. For children up to 8 and about nine years old. If he or she is man’s child, the tight sleeve is general in the Genroku era or the long sleeve. four body woman’s child
The Seven-Five-Three Festival is congratulation on the first fine for the child. Seeing besides, the appearance of the charming child who dressed up might be happy for the parents person moreover ..it not is… It is the one that dresses so as not to lose shape lovelily.
I introduce some knacks when kimono is dressed to the child.
･So as not to lose shape when kimono is dressed to the child, the applying string is applied to a correct position.
･The belt pillow at the time of dressing is expected to break off with half length the washcloth, to roll tightly, and to be coming to gauze.
･The belt folds the width of the belt to the half, does by two volumes, and connects the hand up. You may increase the amount of the hand from the drip so that height is too long and connect it.
･As for the undergarment, the skirt applies disregarding to skin [juban] of gauze that attaches a thin collar.
･Loveliness is put out to the whole so as not to become feeling to be precocious. For instance, it is remarkable to take off the shoulder tuck and the waist deep-frying enough and loveliness is remarkable to the congratulation on three years old. Moreover, even if five are made a kimono bearing crest, the one that the shadeing off pattern and the figured haori pattern were dyed colorfully might be good in five-year-old “Tadashi of [chakuhakama]” of black ground.